Skip to main content

Sue Dymoke

Martin helps out on the allotment

Martin usually arrives via Lidl
changes his shoes on the patio
likes building up a quick sweat.

Martin pulls out stubborn bracken
attacks solid clumps of comfrey
turns over baked soil.

Martin clears up some bad weeds
fears disturbing ‘things that might be flowers’
dislikes picking blackcurrants.

Martin sips Earl Grey or lime cordial
talks poetry and the perils of Reading FC
takes home kale, chard or spinach for his tea.
 

 
Thanks Martin and Happy Birthday!




Copyright © Sue Dymoke, 2022 

 

 











Comments

Popular posts from this blog

Rupert Loydell 1

WHAT THE POET SAID ABOUT IT for & from Martin Stannard ‘As you know, Ted, I’m very cynical.’ – Father Dougal McGuire, Father Ted Poetry has always been for me a process either of finding out what I think, or asking myself questions about what I think, and often learning more about what I think. I don’t know if that’s the right way to explain it, but it’s possible to be the right person or the wrong person sometimes, discovering that what I thought I thought is not what I thought it was. In some cases, I'm astonished by myself. I didn’t know I was that smart, and I'm still in agreement with what I said back then. I don’t really like stacks of poems that, let’s be honest, have someone’s death to thank for being there. People might think me almost totally deficient when it comes to appreciating other people’s emotions, and caring about how they feel, and all that business. I could be seen as a cold robot with no heart or, as some people might have it, plain stupid. Wh...

Alan Baker

I came to Martin Stannard's poetry relatively late, when, at a book fair, I picked up a pamphlet entitled "Easter" (published 1994). The easy, familiar tone and the quick wit drew me in to what was at first just a pleasant read. Then, imperceptibly, the poetry took me to to a zone of wonder and disorientation that was exhilirating. Fast forward twenty-six years and, by 2020, I had the honour of being Martin's publisher, when the third title of his that I published, "Reading Moby Dick and Other Matters", was released. It's a beautiful object (I can say that as the book design was all Martin's). And the title poem, "Reading Moby Dick" has all the features I'd been struck by in "Easter" but with an added sophistication that the intervening years of poetic practice had brought to it. It opens with a knowing dodgy joke - "Call me optimistic..." which sets the tone of irreverence and tongue-in-cheek meandering...

David Belbin

There's nothing like getting it wrong . MARTIN STANNARD AT SEVENTY I first encountered Martin through his poems in 1987, when Wide Skirt Press published The Flat of the Land . The title poem, which also opened the collection, was a revelation. The style owed a lot to the New York Poets, who I had recently discovered, but also felt fresh, funny and self deprecating in a very English way. Two years later, John Harvey's Slow Dancer press published a new and selected called The Gracing of Days , then Wide Skirt press published Denying England . I loved both collections: the voice, Martin's laconic yet romantic view of the world, the string of humour tightly laced throughout. I dragged a bunch of my A level students to a Slow Dancer reading in the basement of Nottingham's Old Vic pub. Martin was appearing alongside a young whippersnapper called Simon Armitage, who John had also published a pamphlet by. I primed the students for the reading with a sheet of poems by b...