Skip to main content

Paul Sutton

SKOPELOS
(for Martin Stannard, at 70)

A man can sit, is sitting in fact, on a bench for hours
watching the harbour on this island although watching is
not quite right – not right at all, in fact. Occurring is what’s
happening – a change of life and people, not facts since
the details aren’t worth mentioning and anyway irretrievable.

Perhaps something needs to happen but it's a strain in this
heat just to move, so events aren't possible as singularities –  
if that's the word – more as accumulations. The light from
inside a diamond without its symmetry; like most beautiful
places, there's a lopsidedness because the slump from then

to now to whenever is constant but unremarkable – although
I mention it: I came here nearly forty years ago, untested and
ignorant of how much could go wrong but also what would go
right. When something like that happens – I can't say what –  
the rest seems pointless, with the vast mountains of things no

more than piles of pencil shavings of the sort left when you've
sharpened what you have to say then find it isn't much:
in the saying is what you had to say.



 

Copyright © Paul Sutton, 2022

Comments

Popular posts from this blog

Rupert Loydell 1

WHAT THE POET SAID ABOUT IT for & from Martin Stannard ‘As you know, Ted, I’m very cynical.’ – Father Dougal McGuire, Father Ted Poetry has always been for me a process either of finding out what I think, or asking myself questions about what I think, and often learning more about what I think. I don’t know if that’s the right way to explain it, but it’s possible to be the right person or the wrong person sometimes, discovering that what I thought I thought is not what I thought it was. In some cases, I'm astonished by myself. I didn’t know I was that smart, and I'm still in agreement with what I said back then. I don’t really like stacks of poems that, let’s be honest, have someone’s death to thank for being there. People might think me almost totally deficient when it comes to appreciating other people’s emotions, and caring about how they feel, and all that business. I could be seen as a cold robot with no heart or, as some people might have it, plain stupid. Wh...

Alan Baker

I came to Martin Stannard's poetry relatively late, when, at a book fair, I picked up a pamphlet entitled "Easter" (published 1994). The easy, familiar tone and the quick wit drew me in to what was at first just a pleasant read. Then, imperceptibly, the poetry took me to to a zone of wonder and disorientation that was exhilirating. Fast forward twenty-six years and, by 2020, I had the honour of being Martin's publisher, when the third title of his that I published, "Reading Moby Dick and Other Matters", was released. It's a beautiful object (I can say that as the book design was all Martin's). And the title poem, "Reading Moby Dick" has all the features I'd been struck by in "Easter" but with an added sophistication that the intervening years of poetic practice had brought to it. It opens with a knowing dodgy joke - "Call me optimistic..." which sets the tone of irreverence and tongue-in-cheek meandering...

Martin Stannard at 70 - A Celebration

Photo by Graham Lester George, copyright © 2022. Publisher: Leafe Press